Portrait of Michelle Obama
The portrait by Amy Sherald was unveiled yesterday in Washington. It will be hung in the Smithsonian along with a portrait of her husband which was also unveiled yesterday (and which is also interesting and not typical of presidential portraiture)

The painting as portrait is unlike most historic portraiture which is far more atmospheric, nostalgic and rounded. Compare to Aaron Shikler's portrait of Jackie Kennedy (he said that he want to express that "extraordinary, almost spooky beauty... I wanted to paint the haunted look in her eyes.”
Michelle's painting has none of that atmosphere, it's almost as if she emerges from the flatness canvas, a kind of crystal purity. The background, and huge flowing gown presents pyramidal lines with geometric patterns reminiscent of quilt patterns from which Michelle's organic form emerges out at the viewer. The holding of her arms seems to replicate the oval shape of the print. The gown itself was a custom design by Milly Smith's fashions.
Many have criticized this painting, because they don't think it resembles Michelle.
Thoughts?

The painting as portrait is unlike most historic portraiture which is far more atmospheric, nostalgic and rounded. Compare to Aaron Shikler's portrait of Jackie Kennedy (he said that he want to express that "extraordinary, almost spooky beauty... I wanted to paint the haunted look in her eyes.”
Michelle's painting has none of that atmosphere, it's almost as if she emerges from the flatness canvas, a kind of crystal purity. The background, and huge flowing gown presents pyramidal lines with geometric patterns reminiscent of quilt patterns from which Michelle's organic form emerges out at the viewer. The holding of her arms seems to replicate the oval shape of the print. The gown itself was a custom design by Milly Smith's fashions.
Many have criticized this painting, because they don't think it resembles Michelle.
Thoughts?
Comments (58)
The President's portrait had different problems -- the green ivy background was a bit overwhelming, as opposed to the underwhelming blue of Michele's portrait. The likeness of Barack was good, however. In both cases, I would prefer to have the subject's figures take up a larger share of the portrait surface.
I don't like J. Kennedy's portrait either.
The Obama portraits may be official, but time and other portraits will determine what image the public likes better.
It could be worse, I suppose. The now-preferred image of George Washington was left unfinished.
There appears to be a couple of political nods in the portrait, the blue/gray background and her nails for Democratic party. This from the Democratic Convention, she apparently started a blue nail craze.
The gown (in the painting) is thought to be a nod to Milly's support of Planned Parenthood.
When I saw Barack's portrait, I could not stop looking at the placement of his hands.
Standards must have fallen.
However. This image seems to be a little better.
I was not interested in the dress. This is a PORTRAIT, the dress is incidental.
The image I linked seems to have a better face for some reason.
That one of Jackie strikes me as rather creepy, for example. She looks like nightmarish, ghastly doll. Others, apparently, think it's wonderful.
If the purpose of portraiture is to create a physical likeness of a person, that of Michelle Obama probably doesn't meet that purpose. That of Obama does, but the leaves serving as background seem peculiar. It's not clear to me they evoke either Hawaii or Chicago. They seem only a bunch of closely-packed leaves, curiously unattached to any tree.
That's what I thought. As for the Michelle Obama, it doesn't do much for me - too bland in my view.
Quoting Ciceronianus the White
It is partly and it does partly. The portrait below doesn't look much like the Queen of England, for example, but portraits are more about getting at something deeper about the person than mere physical resemblance. Not that you can leave that behind, but you can push it to the side.
or what @charleton posted. Here is what the MET has to say about 19th Century Folk Art portraiture:
Anyway, Sherald's work reminds me of a sophisticated version of folk art.
I just saw @Baden posting of Queen Elizabeth by Lucian Freud. Freud was a hyper-realist. I think his realism, pushes realism beyond itself to an intimate, almost symbolic view and it does this by the effects of his intensive brush work, which are the result of 1000's of hours of work. His use of paint is extraordinary. His average portrait took 1500 hrs., which is almost unbelievable, except when you look at his work.
Er, no!
THIS is hyperrealism
Or THIS.
Sorry, you really don't see the style resemblance do ya?
Bottom feeding jargon.
His works float between expressionism and quasi realism.
No where near hyper.
Except for Crank's profile pic, of course.
For my taste the portrait of MO is terrible, lifeless, wooden. In terms of composition it is irredeemable. The portrait of JK is much more 'living' but still overly romanticised, and it fails as a composition; being too centred. If you cut off one side or the other of the JK portrait near the shoulder it would work far better compositionally.
I have not thought enough about Barack's portrait, but here are some very amusing tweets I have seen:
Sean Spicer hiding in the bushes:
or
Interestingly the BO portrait is more lifelike, in the sense of being a better resemblance, than the MO. Note the 'semblance' in resemblance, though; a lifelike portrait can nonetheless belifeless just as the BO portrait also appears to me to be.
His hands were screwing me up, I mentioned this somewhere along the way. I think and I need to confirm or flesh out what his hands placement means, if anything, but it sure as hell looks like a historical remnant from somewhere, then perhaps a key to the portrait.
Also. MO is far more stylized than BO's portrait. Do you think perhaps that the stylizing of a portrait tries to remove its particularity, aiming at universality, where the emotional warmth of the subject (MO} has to be sacrificed?
Funnily enough, I much prefer "Judith beheading Holofernes" to Barrack's portrait.
Do you prefer Caravaggio's rendition of Judith Beheading Holofernes?
Judith's expression is just too dumb on this one. "Wait, why is he screaming, and why is there all this red stuff coming out?". Like a debutante on a skin-flick set facing her first moneyshot.
An inspired insight.
An inspiring sight!
In what way???
The image you posted is better.
A hedge, perhaps, and not a tree.
Quoting Baden
What has been gotten at in the hideous portrait of HMQEII?
Harper's Bazaar:
Not sure. I'm presuming it's not an accident that she looks like that though. Maybe there's a joke in there somewhere?
Et voilà.
Is the hedge significant to Obama?
Maybe because he spent 8 years hedging his bets?
The light is sublime, in that Caravaggio.
This is just the ordinary failing of any artist who tends to base their idea of what a face is upon the thing they see in the mirror. There is nothing special here. Fraud painted himself most of the time.
There is more craft, skill and sensitivity on this tiny part of the Caravaggio than on all the other posted images thus far.
https://www.pinterest.co.uk/pin/330592428871267531/?lp=true
No one would be able to navigate through that mess of cloth to impregnant her?
https://pmchollywoodlife.files.wordpress.com/2017/01/donald-trump-appears-to-scare-the-life-out-of-melania-in-viral-inauguration-ftr.jpg?w=148&h=90&crop=1
The artist was beaten-up by Trumpers.
https://www.theguardian.com/us-news/2016/may/07/donald-trump-penis-painting-ilma-gore
As Charles Montgomery Burns once said "I don't know art, but I know what I hate, and I don't hate that."